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Types of Aboriginal Dances
Men’s Fancy Dance: The Men’s Fancy Dance originated in the
southern United States. This dance was originally created for
entertainment. The outfits are brightly coloured and the fast moves of
the dances are very entertaining.
http://www.sicc.sk.ca/saskindian/a97jun27.htm
Hoop Dance: When the Hoop Dance first originated it was performed
by medicine men and spiritual leaders. Visions were seen through the hoops
to cure ailments. Hoop dancers use dozens of hoops and dance with their own
interpretation of an eagle, a snake, and a butterfly.
http://www.sicc.sk.ca/saskindian/a97jun27.htm
Women’s Fancy Shawl Dance: “This is the most modern of the women's
dances. Some say it was originally called the blanket dance and women danced
with a blanket or shawl covering their heads. It was called Graceful Shawl
dance in the '60s and the dance steps were closer to the ground and smaller
than what is performed today. This is an extremely athletic and strenuous
dance involving kicks and twirls and fast movement. It parallels the Men's
Fancy Bustle dance in speed and style. Women dance with beautifully
decorated shawls often with long ribbon or fabric fringe. The regalia of
this dance also include beaded high moccasins. The symbols and colours
beaded on the moccasins have tribal and or personal significance to the
dancer.”
http://www.tpt.org/powwow/womfancy.html
Men's Traditional Dance: “Danced with exaggerated movement above
the waist to simulate hunting, tracking or fighting but heavy, grounded,
flat-footed lower body, this dance originated with members of warrior
societies on the Great Plains. Costume includes an eagle feather bustle and
hair roach made of porcupine quills. While many tribal gatherings today work
to join and unite tribes from across the continent, homogenizing some of the
dances to suit all, Men's Traditional dance remains tribe specific in terms
of style and dress.”
http://www.thewildwest.org/native_american/art/index.html#Dance
Women's Traditional Dance: “This dance is extremely reserved in
nature, simply a single or double step done in a circle. Sometimes an up and
down movement is done while standing in place. Costume for Women's
Traditional also remains tribal specific, sometimes with elaborate beadwork
on long buckskin or trade cloth dresses.”
http://www.thewildwest.org/native_american/art/index.html#Dance
Men's Grass Dance: “The Grass Dance was first done in the tall
prairie of North Dakota at the turn of the 20th century. The costume is a
shirt with a V-shaped yoke, lots of fringe on the pants, shirts, and
headdress that might remind you of "antennae." No bustles are worn. Dancers
sway from side to side facing forward around the circle.”
http://www.thewildwest.org/native_american/art/index.html#Dance
Women's Jingle Dress: This dance is named “because the dress worn
by participants does jingle. Rows of tin cones adorn the dress in patterns
selected by the dancers, which include women of all ages. The tin cones are
often made by rolling the heavy metal tops of snuff cans. It is said that a
hundred years ago an Ojibwa (Chippewa) holy man had a vision in which four
women appeared to him wearing jingle dresses. The dance also bears a
resemblance to the Grass Dance, which seemed to originate at the same time.
This dance is intertribal.”
http://www.thewildwest.org/native_american/art/index.html#Dance
“Ladies' Traditional Buckskin Dance: Formerly the exclusive dance
of the princesses and women in leadership roles, the Ladies' Traditional
Buckskin Dance is now open to all women. Traditionally, this was a dance of
the northern tribes, but is now danced by southern tribes as well. The
northern dancer usually stays in one area, lightly bouncing to the beat of
the drum, displaying dignity and grace.”
“The slower beat and step of the southern version of the dance is in
sharp contrast to the faster dance of the northern tribes. The difference in
rhythm makes it necessary for the Northern Traditional and Southern Buckskin
to be danced as two events. At a given time during the song, the dancer
salutes the drum with her fan in a beautiful expression, ‘the catching of
the spirit of the drum.”
http://www.powersource.com/gallery/objects/buck.html |
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